Il Tabarro

August 5, 7pm & 9pm

Puccini’s heart wrenching tale of tragic loss, faded love, illicit passion, treacherous betrayal, and a fatal fall from grace, sails into town with Opera Festival of Chicago’s main-stage production of Puccini’s Il Tabarro starring world renowned soloists: baritone Franco Pomponi, tenor Christopher Colmenero, mezzo-soprano Ola Rafalo, and soprano Jennifer Schuler. A One Night Only, musical experience that will leave a lasting impression.

  • Show runtime is under one (1) hour.
  • There will not be an intermission.
  • All patrons will be required to wear a mask at Thalia Hall, unless they’re actively eating or drinking.

Cast & Crew

Franco Pomponi, Michele
Christopher Colmenero, Luigi
Jenny Schuler, Giorgetta
Ola Rafalo, La Frugola
Tao Tong, Tinca
Frank DeVincentis, Talpa
Maximiliano Illanes & Valeria Rodriguez, Lovers
Tyrique McNeal, Stevedore
Michael Rivera, Stevedore
Angel Azzarra, Midinette
Marc Verzatt, director
Emanuele Andrizzi, conductor
Ella Marchment, design & concept
Izumi Inaba, costume design
Bridget Williams, lighting design
Opera Festival of Chicago Orchestra

Pre-Performance Behind the Scenes

A complimentary pre-performance behind the scenes discussion with Roger Pines prior to each performance.

6:00pm for the 7:00pm performance
8:00pm for the 9:00pm performance

This is a small setting for the pre-performance discussion with limited seating available. Please RSVP in advance.

Roger Pines

Preconcert Lecturer

Roger Pines, Pre-Performance Lecturer

Cast

Franco Pomponi

Michele

Franco Pomponi

Michele

Christopher Colmenero

Luigi

Christopher Colmenero

Luigi

Jenny Schuler

Giorgetta

Jenny Schuler

Giorgetta

Ola Rafalo

La Frugola

Ola Rafalo

La Frugola

Tao Tong

Tinca

Tao Tong

Tinca

Frank DeVincentis

Talpa

Frank DeVincentis

Talpa

Maximiliano Illanes

Lover

Maximiliano Illanes

Lover

Valeria Rodriguez

Lover

Valeria Rodriguez

Lover

Angel Azzarra

Midinette

Angel Azzarra

Midinette

Tyrique McNeal

Stevedore

Tyrique McNeal

Stevedore

Michael Rivera

Stevedore

Michael Rivera

Stevedore

Marc Verzatt

Director

Marc Verzatt

Director

Emanuele Andrizzi

Music Director

Emanuele Andrizzi

Music Director

Opera Festival of Chicago Orchestra

Synopsis

    There exists at all times, among the multitude of marriages, an inevitable wastage of incompatible couples. – Sully Ledermann

The year is 1910. It has been 26 years since the Nacquet Act has been passed in France and divorce legalised. However, it is still not commonplace and in this year only 14,261 couples across the whole of France separate. Unlike now where 50% of all marriages in the US end in divorce or separation, it was still taboo.

Puccini’s plot focuses on one couple that would have been better off as one of those 14,261 that filed for divorce. The grief and trauma associated with losing their young son has ripped our protagonists Michele and Giorgetta apart, so much so that Michele feels that Giorgetta’s love has turned to loathing. However, the reality of the situation is that this couple have gone through a life-changing experience and have not found a way to overcome this together. As mechanisms to cope with the loss of a child Michele has retreated into himself and his work, and Giorgetta has sought distraction from her reality by commencing an affair with one of the barge workers – Luigi.

We join the action as the sun is setting in Paris. The stevedores are close to the conclusion of their working day and Giorgetta asks Michele if she is allowed to bring wine to the workers to reward them for their efforts. Although Michele agrees to this he refrains from joining them due to Giorgetta’s apparent lack of affection for him.

As well as navigating the trauma of losing a son, our unhappy couple are also dealing with financial hardship. They seemingly cannot afford to keep on all of their workers any longer and commence a conversation as to who should be let go.

They are not the only characters in this opera without vices or marital issues, and we swiftly learn at the appearance of La Frugola (the wife of one of the stevedores called Talpa) that she scavenges across Paris, and Talpa drinks in order to escape the reality that he is shackled with Frugola for a wife.

Amongst the post-work socialising it becomes quickly apparent that Luigi and Giorgetta are magnetised to each other. Not only do they herald from the same part of Paris, but both long to return to a life on dry land there.

At the conclusion of this shared declaration of hope from Luigi and Giorgetta the stevedores leave the ship and only Luigi remains in order to request that Michele dismisses him. Giorgetta is surprised by this request, but when they steal a moment alone Luigi declares that it is simply too painful having to share her with Michele. They arrange to meet later that night, and Giorgetta will signal to Luigi that the coast is clear by lighting a match. Luigi then departs leaving Giorgetta alone on the boat with Michele.

Meanwhile, Michele’s suspicions as to his wife’s behaviour are growing. Why is she being so cold with him and wonders what could have happened to change her attitude towards him so strongly. After a terse conversation between himself and Giorgetta, Michele is left alone on the deck pondering which man could have stolen her affections. Whilst doing so Michele lights a match, which Luigi, from the shore, mistakes as Giorgetta’s signal. He boards the barge and is greeted by Michele who immediately sees red, confronts Luigi and forces him to admit that he loves Giorgetta whilst strangling him.

Giorgetta then returns to Michele’s side. She has decided to apologise to him for her behaviour earlier. Michele invites her to draw close to him, but as she does he opens his cloak and reveals Luigi’s dead body. 

Thalia Hall

1807 S Allport St
Chicago, IL 60608

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