Amanda Cabán

Amanda Cabán

is an accomplished performer with an array of experience in both opera and concert repertoire. Her most recent performances are as Candela in De Falla’s Chamber opera, El Amor Brujo, with Kalamazoo Symphony Orchestra, and Ma Moss (The Tenderland) with Chicago Summer Opera. With DePaul Opera Theatre, Cabán sang the roles of Ericlea (Il ritorno d’Ulisse in patria), Old Lady (Candide), and Meg (Falstaff). With Peach State Opera, she performed the title role of Carmen in Atlanta, GA. As a resident artist with Central Florida Lyric Opera, Cabán performed the roles of Mercedes (Carmen), Carmen cover (Carmen), Third Lady (The Magic Flute), and Cherubino (Marriage of Figaro).

Cabán was selected for Zarzuela USA’s workshop in 2023, coaching a variety of Zarzuela and role studying Luisa Fernanda with Nancy Fabiola-Herrera. She performed the role of Dorabella in Così fan Tutte with both with Connecticut Lyric Opera’s Greve Opera Festival in Tuscany, and with Capitol City Opera’s Dinner and a Diva. She was selected to perform on New York Opera Workshop’s master class with Robert McFarland, Singing at the International Level. Cabán has appeared as the soloist for works such as: the Ellingboe Requiem, Saint-Saëns’ Christmas Oratorio, Vivaldi’s Gloria, Handel’s Messiah, and the Mozart Requiem.

At the Stephen Foster Vocal Competition, Cabán earned first place, and has placed as a finalist in NATS. She earned her master’s degree from DePaul University and her undergraduate degree in vocal performance from Stetson University.

Cabán maintains a private studio out of Chicago, IL, and has been a vocal adjudicator for Atlanta Music Project and Florida Federation of Music Clubs. She also serves on the board for the Chicago chapter of NATS as the Director of Membership.